Europe Comics

  • It's a time of grumbling rebellion and brooding revolution. Gabriel de la Serna, the teenage son of a well-to-do family, has gone into hiding. He fled, limping, into the forest. He had come to San Juan, a little village nestled in the mountains, to paint the Passion of the Christ. There he came to understand the passion of the villagers, the country folk, all victims of military repression. Nourished by a sense of divine justice, he begins to understand the villainy of those in power and their cronies. When he's eventually taken in and treated by the guerillas camped out in the forest, he lies about his family name and swaps his pencils and paint brushes for firearms. As he gazes beyond the surface and deeper into the depths, Gabriel also discovers his own humanity, made of flesh and desires...

  • Mexico, August 1923. Edward Weston has just abandoned his wife and children and joined his mistress Tina Modotti. Daughter of Italian emigrants, Tina started out on a career as a Hollywood actress before discovering a passion for photography, in Edward's wake. In Mexico, the lovers soon discover that revolution goes hand in hand with artistic expression. The walls of public institutions are colored with the vibrant paintings of Diego Rivera, Xavier Guerrero and all those who would go down in art history as ' the muralists.' In this pivotal period between the old world, still struggling in the aftermath of the First World War, and the new world, yet to be constructed, Tina and Edward become deeply involved in the artistic political movement of the epoch. For Tina, sex, freedom, art and politics become the pillars of her lifestyle, leading her to sometimes make choices that are difficult for Edward to deal with. But passion burns the senses, and suffering kindles the fires of creation...

  • 1976, Nicaragua. "Tacit" Somoza rules the small Central American country with the support of the ruthless Guardia. The son of a powerful family from the capital, Managua, Gabriel is a young priest with an incredible talent for sacred art. He is sent to enhance his painting skills with Ruben, a priest in San Juan--a little village located at the base of a mountain. Despite his difficulty integrating with the villagers due to his father's reputation, Gabriel slowly gets to know them and, eventually, to love them. Encouraged by Ruben, he paints the villagers. He paints them as they are--men and women of flesh and blood. But Gabriel is soon witness to acts of military repression of the locals. It doesn't take long for him and the villagers to get swept away in these times of growing rebellion and smoldering revolution. Nourished by a sense of divine justice, Gabriel begins to understand the villainy of those in power and their cronies. When he's eventually taken in and treated by the guerillas camped out in the forest, he lies about his family name and swaps his pencils and paint brushes for firearms. As he gazes beyond the surface and deeper into the depths, Gabriel also discovers his own humanity, made of flesh and desires...

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